Products related to Actors:
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Movement Training for Actors
"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training.Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it."James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory TheatreMovement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters.The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F.M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey.Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study.The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques.Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals.The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.
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Teaching, Tutoring and Training in the Lifelong Learning Sector
This core text provides comprehensive support for pre-service and in-service trainee teachers in the Lifelong Learning Sector covering all they need to know to achieve QTLS status. Supporting trainees through all stages of their professional development, the text takes the reader through the theoretical background underpinning teaching and learning and offers practical guidance on day-to-day challenges. This fourth edition has been fully revised and updated and includes a new chapter on teaching practice with notes on observation and lesson planning.New information on behaviour management has been added to support trainees in an aspect of teaching that many find challenging.
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Games for Actors and Non-Actors
Games for Actors and Non-Actors is the classic and bestselling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal’s revolutionary method, showing how theatre can be used to transform and liberate everyone – actors and non-actors alike!This new third English edition includes recently uncovered interviews and essays from the 1970s, some of which featured in the earliest Portuguese edition of this book, and a new essay by the theatre director Sergio de Carvalho, which looks at Boal’s work in the context of Brazilian theatre and politics over the past fifty years. This is a vital handbook for theatre makers and activists of all kinds who want to deepen their understanding of the theory and practice of Boal’s Theatre of the Oppressed.It is also an excellent introduction for those new to the system.
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Performer Training for Actors and Athletes
What goes on in the body and mind of an endurance athlete at the limits of performance?How do they relate to the world around and prepare for the task ahead?Offering a refreshing perspective on training in the cross-lighting of aesthetic and athletic processes, this book focuses on the learning, mastery and creative adaptation of technique in performance.From traditional and physical actors to runners, boxers and other sports practitioners, it is about performers: their bodies, trainings and experiences.It interrogates what it means to prepare and train as a performer in the early 21st century. Writing from extensive experience in physical theatre and long-distance running, the author combines insights from both disciplines along with theatre history, sports science and perspectives like embodied cognition and affective science.From the kind of thoughts that go through the mind of an actor or a runner, to the economy and aesthetic of their movement and to how they feel about it, this book sheds light on the performing body and its capacities for action. Topics covered include attentional focus and distraction, affordances and equipment, ‘choking’ and stage fright, physiological regulation and effort perception, pacing and play, optimal flow and creative improvisation, and intentionality and automaticity in expert performance.The volume presents an informative and thought-provoking account accessible to readers interested in theatre, dance, performance, running, athletics, and sport.
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Are there voice actors without training?
Yes, there are voice actors who have succeeded without formal training. Some individuals have a natural talent for voice acting and are able to develop their skills through practice and experience. However, formal training can provide voice actors with valuable techniques, knowledge, and industry connections that can help them improve and advance in their careers. Ultimately, the success of a voice actor can depend on a combination of natural talent, training, and dedication to their craft.
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Do voice actors need acting training?
Yes, voice actors can benefit greatly from acting training. Acting training helps voice actors develop their vocal range, emotional depth, and ability to bring characters to life. It also teaches them important skills such as script analysis, character development, and improvisation, which are essential for creating authentic and engaging performances. Overall, acting training can help voice actors hone their craft and stand out in a competitive industry.
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Do actors know their voice-over actors?
In some cases, actors may know the voice-over actors who provide their characters' voices, especially if they have worked closely together on a project. However, in many cases, the actors may not have direct interaction with the voice-over actors, as the voice-over work is often recorded separately from the live-action filming. Additionally, voice-over actors may not always be credited or recognized for their work, so the level of interaction between actors and voice-over actors can vary depending on the specific project.
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'Westworld actors'
Westworld actors are a talented group of individuals who bring the complex characters of the show to life. They are known for their exceptional acting skills and ability to portray the intricate storylines of the series. The actors in Westworld have received critical acclaim for their performances and have helped make the show a success. Their dedication to their craft and commitment to their roles have helped create a captivating and immersive viewing experience for audiences.
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Working with Actors : Meisner Technique for Directors and Actors
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’
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Training Actors' Voices : Towards an Intercultural/Interdisciplinary Approach
Contemporary actor training in the US and UK has become increasingly multicultural and multilinguistic.Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews.How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio?When several vocal training traditions are learned simultaneously, how does this shift the way actors think, talk, and perform?How does this change the way actors understand what a voice is?What it can/should do? How it can/should do it?Using adaptations of a traditional Korean vocal art, p’ansori, with adaptations of the "natural" or "free" voice approach, Tara McAllister-Viel offers an alternative approach to training actors’ voices by (re)considering the materials of training: breath, sound, "presence," and text.This work contributes to ongoing discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices.
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Tips for Actors
Foreword by Ellen Page, star of Inception, Juno and X-MenThe perfect humorous gift for students, actors and anyone with an interest in theatre.In the most important theatrical book of this or any other decade, Twitter sensation @tips4actors gives you all the advice you need to take your acting to the next level.How to upstage your fellow cast members, what to wear on the first day of rehearsals, where to go for a poo in London's glamorous West End - it's all covered in here!Includes advice such as... 'Never read the script. Would your character read it? No, of course not. For them the script doesn't exist' and 'When having sex with a casting director, show off your acting by faking an orgasm'.This is a hilarious parody which demands to be read.
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Surviving Actors Manual
Surviving Actors Manual
Price: 8.54 € | Shipping*: 0.00 €
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'E.T. Actors'
The actors who played the main characters in the movie E.T. the Extra-Terrestrial were Henry Thomas, who portrayed Elliott, and Dee Wallace, who played Mary, Elliott's mother. The voice of E.T. was provided by Pat Welsh. These actors were instrumental in bringing the heartwarming story of a boy and his alien friend to life on the big screen, creating a timeless classic that continues to resonate with audiences of all ages.
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'GZSZ actors'
GZSZ actors refer to the cast members of the long-running German television soap opera "Gute Zeiten, schlechte Zeiten" (Good Times, Bad Times). The show has featured a rotating cast of actors over the years, with many well-known German actors getting their start on the series. The actors on GZSZ play a variety of characters involved in dramatic storylines that explore relationships, family dynamics, and personal struggles. The show has been a launching pad for many successful acting careers in Germany.
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'E.T. actors'
The actors who played the main characters in the movie "E.T. the Extra-Terrestrial" were Henry Thomas as Elliott, Dee Wallace as Mary (Elliott's mother), and Peter Coyote as the government agent "Keys." The most iconic role was that of E.T. himself, who was brought to life through a combination of animatronics and puppetry. The performances of these actors helped create a heartfelt and memorable film that has remained a classic in the science fiction genre.
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'Airwolf actors'
The main actors in the TV show Airwolf were Jan-Michael Vincent, who played the lead character Stringfellow Hawke, and Ernest Borgnine, who played his mentor and co-pilot Dominic Santini. The show also featured Alex Cord as Michael Coldsmith-Briggs III, the head of the organization that built the high-tech helicopter. These actors brought their characters to life and contributed to the success of the show during its run from 1984 to 1986.
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