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Appropriation
Appropriation
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Appropriation Loops
BOOKWORMS' latest offering, "Appropriation Loops (A Love Story)," is a whirlwind of sonic experimentation that blurs the lines between genres with a playful wink and a nod. Fusing elements of electro, techno, and house, this album is a love letter to the chaotic nature of the digital age. From the glitchy opening track, "Ctrl Alt Delight," to the hypnotic groove of "Byte Me," BOOKWORMS takes the listener on a wild ride through a landscape of unexpected rhythms and textures. The relentless energy of tracks like "404 Error: Funk Not Found" and "Virus.exe" will have you dancing like no one's watching, while the dreamy melodies of "Cache Me If You Can" provide a welcome moment of introspection. But what truly sets "Appropriation Loops (A Love Story)" apart is BOOKWORMS' knack for finding the beauty in the absurd. Whether it's the cheeky sampling of dial-up tones on "Dial M for Music" or the frenetic mash-up of memes on "Trollololol," this album never takes itself too seriously. In a world full of polished perfection, BOOKWORMS dares to be different, embracing the chaos and celebrating the weird. "Appropriation Loops (A Love Story)" is a refreshing reminder that music doesn't always have to make sense to be truly brilliant.
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Teaching, Tutoring and Training in the Lifelong Learning Sector
This core text provides comprehensive support for pre-service and in-service trainee teachers in the Lifelong Learning Sector covering all they need to know to achieve QTLS status. Supporting trainees through all stages of their professional development, the text takes the reader through the theoretical background underpinning teaching and learning and offers practical guidance on day-to-day challenges. This fourth edition has been fully revised and updated and includes a new chapter on teaching practice with notes on observation and lesson planning.New information on behaviour management has been added to support trainees in an aspect of teaching that many find challenging.
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Adaptation and Appropriation
From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms.In this new edition Adaptation and Appropriation explores:multiple definitions and practices of adaptation and appropriationthe cultural and aesthetic politics behind the impulse to adaptthe global and local dimensions of adaptationthe impact of new digital technologies on ideas of making, originality and customizationdiverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of artthe impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studiesthe appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale.Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.
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Is batik cultural appropriation?
Batik is a traditional Indonesian textile art form that holds significant cultural and historical value. When individuals from outside of the Indonesian culture appropriate batik without understanding or respecting its cultural significance, it can be considered cultural appropriation. However, if people from other cultures engage with batik in a respectful and informed manner, such as by learning about its history and supporting the artisans who create it, it can be a form of cultural appreciation rather than appropriation. It is important to approach the use of batik with sensitivity and respect for its origins.
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Is this cultural appropriation?
Without knowing the specific context or details of the situation, it is difficult to definitively say whether something is cultural appropriation. Cultural appropriation occurs when elements of a marginalized culture are adopted by members of a dominant culture without proper understanding or respect for the original culture. It is important to consider the power dynamics at play, the intentions behind the actions, and whether permission or credit was given to the original culture.
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What is cultural appropriation?
Cultural appropriation is when elements of a minority culture are adopted by members of a dominant culture without understanding or respecting the significance or history behind those elements. This can include the use of traditional clothing, symbols, rituals, or music in a superficial or disrespectful way. Cultural appropriation can perpetuate stereotypes, erase the original meaning of cultural practices, and contribute to the marginalization of the minority culture. It is important to be mindful of the cultural significance of practices and symbols when engaging with them.
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Is cultural appropriation discriminatory?
Cultural appropriation can be discriminatory when it involves taking elements of a marginalized culture without understanding or respecting their significance, and using them in a way that disrespects or misrepresents the original culture. This can perpetuate harmful stereotypes and contribute to the marginalization of the culture being appropriated. It is important to be mindful of the power dynamics at play and to approach cultural exchange with respect and understanding.
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Malfeasance : Appropriation Through Pollution?
In this highly original and provocative book, Michel Serres reflects on the relation between nature and culture and analyzes the origins of the world's contemporary environmental problems.He does so through the surprising proposition that our cleanliness is our dirt.While all living beings pollute to lay claim to their habitat, humans have multiplied pollution's effects catastrophically since the Industrial Revolution through the economic system's mode of appropriation and its emphasis on mindless growth.He warns that while we can measure what he calls "hard pollution"—the poisoning of the Earth—we ignore at our peril the disastrous impact of the "soft pollution" created by sound and images on our psyches.Sounding the alarm that the planet is heading for disaster, Serres proposes that humanity should stop trying to "own" the world and become "renters." Building on his earlier work, especially that on hominization, he urges us to establish a "natural contract" with nature. Published with the assistance of the Edgar M. Kahn Memorial Fund.
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Irish Appropriation of Greek Tragedy
This book presents an analysis of more than 30 plays written by Irish dramatists and poets that are based on the tragedies of Sophocles, Euripides and Aeschylus.These plays proceed from the time of Yeats and Synge through MacNeice and the Longfords on to many of today’s leading writers.A special feature of the book is that, in order to cater for these who may know little about Greek tragedy, it begins with a chapter entitled ‘A Brief Reading of Greek Tragedy’, and then, in regard to each Greek play analysed, it presents a mini-essay on that play, before coming to the Irish version(s) of it.Three features of these Irish appropriations stand out.Firstly, there are three methods of using a Greek tragedy: straight translation, which requires us to interrogate the original play; version, which preserves the invariant core of the original, but which can add or subtract material; loose adaptation, which often moves the action into the modern world.Secondly, there is a considerable stress on Sophocles whose emphasis on the theme of recognition resonates in a postcolonial society that must define itself.Thirdly, there is a considerable stress on the experience of women – such as Antigone and Medea – that can relate to the position of women in Irish society after independence.
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Cultural Appropriation in Fashion and Entertainment
Is it ever acceptable to “borrow” culturally inspired ideas?Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the appropriation of race, ethnicity, class, sexuality, and religion embedded in clothing, textiles, jewelry, accessories, hairstyles and tattoos, as well as in entertainment, such as K-pop, Bhangra, and hip-hop. By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.
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Voicing Identity : Cultural Appropriation and Indigenous Issues
Written by leading Indigenous and non-Indigenous scholars, Voicing Identity examines the issue of cultural appropriation in the contexts of researching, writing, and teaching about Indigenous peoples.This book grapples with the questions of who is qualified to engage in these activities and how this can be done appropriately and respectfully. The authors address these questions from their individual perspectives and experiences, often revealing their personal struggles and their ongoing attempts to resolve them.There is diversity in perspectives and approaches, but also a common goal: to conduct research and teach in respectful ways that enhance understanding of Indigenous histories, cultures, and rights, and promote reconciliation between Indigenous and non-Indigenous peoples. Bringing together contributors with diverse backgrounds and unique experiences, Voicing Identity will be of interest to students and scholars studying Indigenous issues as well as anyone seeking to engage in the work of making Canada a model for just relations between the original peoples and newcomers.
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Why is cultural appropriation criticized?
Cultural appropriation is criticized because it involves taking elements of a marginalized culture without understanding or respecting their significance. This can perpetuate harmful stereotypes, exploit the culture for personal gain, and erase the history and meaning behind the cultural practices. It can also contribute to the marginalization and erasure of the original culture, reinforcing power imbalances and disrespecting the communities from which the cultural elements originate. Overall, cultural appropriation is seen as a form of cultural theft that disrespects and harms the cultures being appropriated.
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Should cultural appropriation be marked?
Cultural appropriation should be recognized and marked as it involves the adoption of elements of one culture by members of another culture, often without understanding or respecting the significance of those elements. By acknowledging cultural appropriation, we can raise awareness about the impact it has on marginalized communities and work towards promoting cultural appreciation and understanding. It is important to educate people about the importance of respecting and honoring different cultures, and marking cultural appropriation can serve as a step towards achieving this goal.
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Is this tattoo cultural appropriation?
Without knowing the specific details of the tattoo, it is difficult to definitively say whether it is cultural appropriation. However, cultural appropriation occurs when a dominant culture adopts elements of a marginalized culture without understanding or respecting their significance. If the tattoo incorporates sacred symbols, designs, or imagery from a culture without permission or understanding of their cultural significance, it could be considered cultural appropriation. It's important to research and understand the cultural significance of any symbols or imagery before incorporating them into a tattoo.
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Can naming be cultural appropriation?
Naming can be considered cultural appropriation when individuals from one culture adopt names or naming practices from another culture without understanding or respecting the cultural significance behind them. This can be seen as disrespectful and can contribute to the erasure of the original culture's identity. It is important to be mindful and respectful when choosing names to ensure that they are not appropriating or misrepresenting another culture.
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